Bridging art and innovation, this book invites readers into the processes of artists, curators, cultural producers and historians who are working within new contexts that run parallel to or against the phenomenon of \'Maker culture\'.
It presents international case studies that interrogate perceived distinctions between si.
The book is a fascinating and compelling resource for those interested in Critical and interdisciplinary modes of practice that combine arts, technology and making.
Bridging art and innovation, this book invites readers into the processes of artists, curators, cultural producers and historians who are working within new contexts that run parallel to or against the phenomenon of \'Maker culture\'