'beauty has purport and significance only for human beings, for beings at once animal and rational'
In the Critique of Judgement (1790) Kant offers a penetrating analysis of our experience of the beautiful and the sublime, discussing the objectivity of taste, aesthetic disinterestedness, the relation of art and nature, the role of imagination, genius and originality, the limits of representation and the connection between morality and the aesthetic.
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This edition also includes the important '
First Introduction' that Kant originally composed for the work.
Meredith's classic translation has been revised in accordance with standard modern renderings and provided with a bilingual glossary.
C.
J.
It has remained a central point of reference from Schopenhauer and Nietzsche through to phenomenology, hermeneutics, the Frankfurt School, analytical aesthetics and contemporary critical theory.
The work profoundly influenced the artists and writers of the classical and romantic period and the philosophy of Hegel and Schelling.
He also investigates the validity of our judgements concerning the apparent purposiveness of nature with respect to the highest interests of reason and enlightenment. 'beauty has purport and significance only for human beings, for beings at once animal and rational'
In the Critique of Judgement (1790) Kant offers a penetrating analysis of our experience of the beautiful and the sublime, discussing the objectivity of taste, aesthetic disinterestedness, the relation of art and nature, the role of imagination, genius and originality, the limits of representation and the connection between morality and the aesthetic
