In 1965, photographer Jerry Schatzberg, already well-established in the field due to his fashion and portrait photography for various publications, such as Vogue, Esquire and Life, listened to Bob Dylan for the first time.
Considering Dylan\'s almost-universal dislike of journalists (and by extension photographers), this was a completely unprecedented situation, one that Schatzberg took seriously..
Dylan gave him free rein of the studio once he started shooting and the images that emerged from that day make obvious the comfortable and relaxed atmosphere that was already brewing between photographer and subject.
Schatzberg received a warm welcome from the singer, who immediately sat him down to listen to what he had been recording that day.
Excited and curious, Schatzberg set off the very next day for the studio, exactly six days after the seminal Newport Folk Festival set where Dylan went electric and was collectively booed.
Dylan\'s new wife (one of the friends mentioned above) called the following day and gave him an open invitation to the studio where he was currently recording \'Highway 61 Revisited\'.
Half listening to their conversation, he volunteered that he\'d like to photograph the singer if given the chance.
Famed music journalist Al Aronowitz and disc jockey Scott Ross were discussing Dylan and a recent performance they had seen of his.
Shortly thereafter, Schatzberg was photographing a job in his studio and had some fortuitous company.
Finally, feeling obligated to them for their persistency, he listened and understood immediately why Dylan was inspiring such passionate excitement.
He had been hearing about the singer for close to three years; two friends were especially dogged and would ask him every time they spoke if he had heard the music yet.
In 1965, photographer Jerry Schatzberg, already well-established in the field due to his fashion and portrait photography for various publications, such as Vogue, Esquire and Life, listened to Bob Dylan for the first time
