What is Musical time? Where is it manifested? How does it enter into our experience, and how do we capture it in our analyses? A compelling approach among works on temporality, phenomenology, and the ecologies of the new sound worlds, Enacting Musical Time argues that Musical time is itself the site of the interaction between Musical sounds and a situated, embodied listener, created by the moving bodies of participants engaged in Musical activities.
Author Mariusz Kozak describes mus.
What is Musical time? Where is it manifested? How does it enter into our experience, and how do we capture it in our analyses? A compelling approach among works on temporality, phenomenology, and the ecologies of the new sound worlds, Enacting Musical Time argues that Musical time is itself the site of the interaction between Musical sounds and a situated, embodied listener, created by the moving bodies of participants engaged in Musical activities