Maverick master: An enigmatic world of masks and the macabre An expressionist before the term was coined, James Ensor (1860–1949) was the classic insider-outsider enigma.
About the Series Each book in TASCHEN’s Basic Art series features: a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance; a concise biography; approximately 100 illustrations with explanatory captions..
She lives in Bonn, Germany.
Since gaining her doctorate in 1990, she has worked as an exhibition organizer and freelance author.
Ulrike Becks-Malorny studied free painting in Geneva and art history in Bochum, Germany.
This introduction to Ensor explores the richness and variety of his imagery through key examples of his macabre, maverick oeuvre.
He is cited in particular for his use of dark satire and allegory, his innovative lighting, and for his interest in carnival and performance, showcased in The Entry of Christ into Brussels in 1889 as well as in his repertoire of self-portraits in which he adopts masking, travesty, and role-playing to adopt such varied guises as Christ on the cross and a cross-dressing dandy.
For all his elusivness, Ensor influenced generations of artists through his vivid, often gruesome, paintings, prints, and drawings.
He was a cosmopolitan trailblazer of modernism, but lived reclusively in an attic room in the resort town of Ostend.
His style lurched from the Gothic fantastical to the Christian visionary.
He knew all the right art-world figures but loathed most of them.
Maverick master: An enigmatic world of masks and the macabre An expressionist before the term was coined, James Ensor (1860–1949) was the classic insider-outsider enigma
