How do the films of Kubrick communicate mental events of characters in a purely visual manner? And how does the music in his films express Meaning when music in essence is an abstract and non-representational art form? Drawing on state-of-the-art discoveries within Embodied cognitive science, this book sets out to address these and other questions by revealing Kubrick as a genuine artist of Embodied meaning-making, a filmmaker who perhaps more than any other director, uses all the resources o.
How do the films of Kubrick communicate mental events of characters in a purely visual manner? And how does the music in his films express Meaning when music in essence is an abstract and non-representational art form? Drawing on state-of-the-art discoveries within Embodied cognitive science, this book sets out to address these and other questions by revealing Kubrick as a genuine artist of Embodied meaning-making, a filmmaker who perhaps more than any other director, uses all the resources o
