Khamsa, the number five in Arabic, a reference to the five fingers of the hand, is repeated three times as a protective mantra.
The artist’s work is a candid portrait of her upbringing and reveals a talent openly embracing the freedom to tell her own story..
As she observes the faces of friends and family around her, their changing bodies and the beautiful Mediterranean landscapes, Julia Gat tells her story.
For the artist, documenting her daily life created a breadcrumb trail via which, from the maturity of adulthood, she has been able to stay in touch with her childhood sensibilities: “When I was 10, I promised myself I’d never forget how a child sees the world: everything is fresh and new, the imagination blurs with reality and the unknown is fascinating.”“KhamsakhamsaKhamsa is an invitation to bring a new sense of freedom to the process of learning, a blessing for which I am grateful.”At a time when home-learning is regulated by government policies, Julia Gat’s first work is a tribute to a different form of education based on experimentation and the importance of allowing early artistic expression to flourish.
Through images of what is essentially a family album, the artist developed her own distinct photographic approach.
With its intermittent portraits of friends and domestic tableaux, the work focuses on five main protagonists: her sisters Sara and Nina, her brothers Michael and Jonathan, and Julia, the fifth sibling whose presence is projected on them from behind her lens.
To begin with Julia Gat tells the stories of childhood and teenage years growing up with her four brothers and sisters, schooled outside any education system via alternative teaching methods.
This work is a visual autobiography in the form of a family archive.
Khamsa, the number five in Arabic, a reference to the five fingers of the hand, is repeated three times as a protective mantra
