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Since the production of the first negative by William Henry Fox Talbot 1835, English photography has played a central role in revolutionizing the production of images, yet has largely evaded critical attention.
Edwards investigates this new enterprise, and specifically how professional photographers shaped a strange aesthetic for their practice..
Since the production of the first negative by William Henry Fox Talbot 1835, English photography has played a central role in revolutionizing the production of images, yet has largely evaded critical attention
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