First published in 1997, Photography and its Critics offers an overview of nineteenth-century American and European writing about Photography from such disparate fields as art theory, social reform, and physiology.
The earliest criticism of the invention was informed by an ample legacy of notions about objectivity, appearances, and copying..
First published in 1997, Photography and its Critics offers an overview of nineteenth-century American and European writing about Photography from such disparate fields as art theory, social reform, and physiology