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Red, White & Black is a provocative critique of socially engaged films and related critical discourse.
That structure, he argues, is based on three essential subject positions: that of the White (the "settler," "master," and "human"), the Red (the "savage" and "half-human"), and the Black (the "slave" and "non-human").. racial antagonisms.
Wilderson III asks whether such films accurately represent the Structure of U.
S.
Offering an unflinching account of race and representation, Frank B.
Red, White & Black is a provocative critique of socially engaged films and related critical discourse
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