In their exposé of Gen Z, The New York Times qualified its members as the "most diverse generation in American history.
Non-white characters tend to exist only in a world of colorblind casting rather than speaking to their distinct ra.
Recent Broadway hits have found a successful formula in productions showcasing the emotional turmoil of contemporary young people, yet the majority of these works represent predominantly white voices, both in terms of authorship and representation.
In their exposé of Gen Z, The New York Times qualified its members as the "most diverse generation in American history