The Great War in Portraits | Paul Moorhouse, Sebastian Faulks

Descriere YEO:

The Great War in Portraits - Disponibil la carturesti.ro

Pe YEO găsești The Great War in Portraits de la National Portrait Gallery Publications, în categoria Carte straina.

Indiferent de nevoile tale, The Great War in Portraits | Paul Moorhouse, Sebastian Faulks din categoria Carte straina îți poate aduce un echilibru perfect între calitate și preț, cu avantaje practice și moderne.

Caracteristici și Avantaje ale produsului The Great War in Portraits

• Departament: gaming-carti-birotica
• Ideal pentru pasionații de jocuri, birotică și distracție online.

Preț: 116 Lei

Caracteristicile produsului The Great War in Portraits

• Brand: National Portrait Gallery Publications
• Categoria: Carte straina
• Magazin: carturesti.ro
• Ultima actualizare: 27-03-2025 01:48:51

Comandă The Great War in Portraits Online, Simplu și Rapid

Prin intermediul platformei YEO, poți comanda The Great War in Portraits de la carturesti.ro rapid și în siguranță. Bucură-te de o experiență de cumpărături online optimizată și descoperă cele mai bune oferte actualizate constant.

Descriere magazin:
In viewing the Great War through the portraits of those involved, Paul Moorhouse looks at the bitter-sweet nature of a conflict in which valour and selfless endeavour were qualified by disaster and suffering, and examines the notion of identity how various individuals associated with the war were represented and perceived. The narrative is structured chronologically, with thematic sections devoted to conflicting pairs Royalty and the Assassin, Leaders and Followers, The Valiant and the Damned which reveal the radical differences between those caught up in the conflict in terms of their respective roles, aspirations, experiences, and, ultimately, their destinies. Leaders and Followers, for example, examines the dichotomy between the representation of senior military leaders such as Blumer, Foch, Haig and Hindenburg, who were responsible for directing the war, and that of the ordinary soldiers charged with executing it. While portraits of the generals emphasise their personal profile, gallantry and the trappings of military power, paintings of the rank and file are characterised by a tendency to anonymity, in which individual identity was subsumed with the impression of types. Claude Rogerss imposing painting Gassed, for instance, presented the individual soldier as a kind of cipher, a depersonalised embodiment of common, degraded experience. Illustrated throughout with images both well known and less familiar, the book concludes with a section entitled Tradition and the Avant-Garde, which focuses on the struggle artists faced in finding an appropriate language in which to depict those who had experienced the unimaginable horror at the front: either by resorting to the steadying hand of tradition or a radical visual language of expressive distortion.