Preface 1913IN the pages which follow I have made no attempt to tamper with the work of the bygone man of thirty-five who wrote them.
However, I should not hesitate to criticize my earlier work if I thought it likely to do any mischief that criticism can avert...--Bernard Shaw.
What I have written I have written, said Pilate, thinking (rightly, as it turned out) that his blunder might prove truer than its revision by the elders; and what he said after a lapse of twenty-one seconds I may very well say after a lapse of twenty-one years.
But though this may be a reason for writing another book, it is no a reason for altering an existing one.
As I read the old Quintessence of Ibsenism I may find things that I see now at a different angle, or correlate with so many things then unnoted by me that they take on a different aspect.
Yet even the victims of this delusion must see that there is an age limit to the process, and that though a man of forty-five may improve the workmanship of a man of thirty-five, it does not follow that a man of fifty-five can do the same, When we come to creative art, to the living word of a man delivering a message to his own time, it is clear that any attempt to alter this later on is simply fraud and forgery.
In the case of a work which is a mere exhibition of skill in conventional art, there may be some excuse for the delusion that the longer the artist works on it the nearer he will bring it to perfection.
I have never admitted the right of an elderly author to alter the work of a young author, even when the young author happens to be his former self.
Preface 1913IN the pages which follow I have made no attempt to tamper with the work of the bygone man of thirty-five who wrote them
