Sound--one of the central elements of poetry--finds itself all but ignored in the current discourse on lyric forms.
Ranging from medieval Latin lyrics to a cyborg opera, sixteenth-century France to twentieth-century Brazil, romantic ballads to the co.
The essays collected here by Marjorie Perloff and Craig Dworkin break that critical silence to readdress some of the fundamental connections between Poetry and sound--connections that go far beyond traditional metrical studies.
Sound--one of the central elements of poetry--finds itself all but ignored in the current discourse on lyric forms