Vision and Difference: Feminism, Femininity and the Histories of Art/Griselda Pollock

Descriere YEO:

Vision and Difference: Feminism, Femininity - Disponibil la elefant.ro

Pe YEO găsești Vision and Difference: Feminism, Femininity de la Routledge, în categoria Foreign Books.

Indiferent de nevoile tale, Vision and Difference: Feminism, Femininity and the Histories of Art/Griselda Pollock din categoria Foreign Books îți poate aduce un echilibru perfect între calitate și preț, cu avantaje practice și moderne.

Preț: 128.99 Lei

Caracteristicile produsului Vision and Difference: Feminism, Femininity

• Brand: Routledge
• Categoria: Foreign Books
• Magazin: elefant.ro
• Ultima actualizare: 02-07-2025 08:03:08

Comandă Vision and Difference: Feminism, Femininity Online, Simplu și Rapid

Prin intermediul platformei YEO, poți comanda Vision and Difference: Feminism, Femininity de la elefant.ro rapid și în siguranță. Bucură-te de o experiență de cumpărături online optimizată și descoperă cele mai bune oferte actualizate constant.

Descriere magazin:
Description Griselda Pollock provides concrete historical analyses of key moments in the formation of modern culture to reveal the sexual politics at the heart of modernist art. Crucially, she not only explores a feminist re-reading of the works of canonical male Impressionist and Pre-Raphaelite artists including Edgar Degas and Dante Gabriel Rossetti, but also re-inserts into art history their female contemporaries - women artists such as Berthe Morisot and Mary Cassatt. Pollock discusses the work of women artists such as Mary Kelly and Yve Lomax, highlighting the problems of working in a culture where the feminine is still defined as the object of the male gaze. Now published with a new introduction, Vision and Difference is as powerful as ever for all those seeking not only to understand the history of the feminine in art, but also to develop new strategies for representation for the future. About the Author Griselda Pollock (1949-). Renowned art historian and critic, currently Professor of Social and Critical Histories of Art at the University of Leeds