Since it was first published in 1995, The Wounded Storyteller has occupied a unique place in the body of work on illness.
Reflecting on both his own life during the creation of the first edition and the conclusions of the book itself, Frank reminds us of the power of storytelling as way to understanding our own suffering..
His new afterword extends the book\'s argument significantly, writing about storytelling and experience, other modes of illness narration, and a version of hope that is both realistic and aspirational.
In this new edition Frank adds a preface describing the personal and cultural times when the first edition was written.
Their stories are more than accounts of personal suffering: they abound with moral choices and point to a social ethic.
Drawing on the work of authors such as Oliver Sacks, Anatole Broyard, Norman Cousins, and Audre Lorde, as well as from people he met during the years he spent among different illness groups, Frank recounts a stirring collection of illness stories, ranging from the well-known--Gilda Radner\'s battle with ovarian cancer--to the private testimonials of people with cancer, chronic fatigue syndrome, and disabilities.
Frank\'s book has reached a large and diverse readership including the ill, medical professionals, and scholars of literary theory.
Both the collective portrait of a so-called remission society of those who suffer from some type of illness or disability and a cogent analysis of their stories within a larger framework of narrative theory, Arthur W.
Since it was first published in 1995, The Wounded Storyteller has occupied a unique place in the body of work on illness
