Yugoslavia\'s diverse and interconnected art scenes from the 1960s to the 1980s, linked to the country\'s experience with socialist self-management.
This era\'s conceptual and performance art--known as Yugoslavia\'s New Art Practice--emerged from a network of diverse and densely interconnected art scenes that nurtured the early work of Marina Abramovic, Sanja Ivekov.
In Yugoslavia from the late 1960s to the late 1980s, state-supported Student Cultural Centers became incubators for new art.
Yugoslavia\'s diverse and interconnected art scenes from the 1960s to the 1980s, linked to the country\'s experience with socialist self-management