Abandon Ship | Carl Douglas, Bjoern Hagberg, Martin Widman

Descriere YEO:

Abandon Ship | Carl Douglas, - Disponibil la carturesti.ro

Pe YEO găsești Abandon Ship | Carl Douglas, de la Max Strom, în categoria Carte straina.

Indiferent de nevoile tale, Abandon Ship | Carl Douglas, Bjoern Hagberg, Martin Widman din categoria Carte straina îți poate aduce un echilibru perfect între calitate și preț, cu avantaje practice și moderne.

Caracteristici și Avantaje ale produsului Abandon Ship | Carl Douglas,

• Departament: gaming-carti-birotica
• Ideal pentru pasionații de jocuri, birotică și distracție online.

Preț: 269 Lei

Caracteristicile produsului Abandon Ship | Carl Douglas,

• Brand: Max Strom
• Categoria: Carte straina
• Magazin: carturesti.ro
• Ultima actualizare: 11-11-2024 01:46:56

Comandă Abandon Ship | Carl Douglas, Online, Simplu și Rapid

Prin intermediul platformei YEO, poți comanda Abandon Ship | Carl Douglas, de la carturesti.ro rapid și în siguranță. Bucură-te de o experiență de cumpărături online optimizată și descoperă cele mai bune oferte actualizate constant.

Descriere magazin:
Abandon Ship is a dramatic, tempestuous, glorious journey through art history. Spectacular paintings have transformed shipwrecks into powerful metaphors for human vulnerability. These works depict fear and bravery, hope and desperation, life and death – and people’s struggle against immense danger. Rocky coastlines and gales could reduce human ambitions to splinters. The sea has always held a special fascination. It carried people to new continents and enabled trade and progress. But the sea, dark and stormy, also represented a threat to human life. This magnificent book takes the reader on a journey spanning several centuries, from medieval mythical disasters via Romantic tragedies to shipwrecks in the contemporary realist era. The paintings presented in the book are from many of the finest museums in the world, among them the Louvre in Paris, the National Maritime Museum in Greenwich, the National Gallery in London and the Metropolitan Museum of Art in New York. The introduction is written by Christine Riding, head of the curatorial department at London’s National Gallery.