A definitive account of Blaxploitation cinema--the freewheeling, often shameless, and wildly influential genre--from a distinctive voice in film History and criticism In 1971, two films grabbed the movie business, shook it up, and launched a genre that would help define the decade.
The time is right for a reappraisal, understanding these films in the context of the time, and exploring their lasting influence..
The films mixed self-empowerment with exploitation, base stereotypes with essential representation that spoke to the lives and fantasies of Black viewers.
Blaxploitation was a major trend, but it was never simple.
Written by film critic Odie Henderson, Black Caesars and Foxy Cleopatras is a spirited History of a genre and the movies that he grew up watching, which he loves without irony (but with plenty of self-awareness and humor).
The Blaxploitation era was born.
Not for the last time did Hollywood discover that Black people went to movies too.
Sweetback upended cultural expectations by having its Black rebel win in the end, and Shaft saved MGM from bankruptcy.
Melvin Van Peebles\'s Sweet Sweetback\'s Baadasssss Song , an independently produced film about a male prostitute who beats up cops and gets away, and Gordon Parks\'s Shaft , a studio-financed film with a killer soundtrack, were huge hits, making millions of dollars.
A definitive account of Blaxploitation cinema--the freewheeling, often shameless, and wildly influential genre--from a distinctive voice in film History and criticism In 1971, two films grabbed the movie business, shook it up, and launched a genre that would help define the decade
