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"Art" has always been contested terrain, whether the object in question is a medieval tapestry or Duchamp\'s Fountain .
The first Edition of Critical Terms for Art History both mapped and contributed to those transformations, offering a spirited reassessment of th.
But questions about the categories of "art" and "art history" acquired increased urgency during the 1970s, when new developments in Critical theory and other intellectual projects dramatically transformed the discipline. "Art" has always been contested terrain, whether the object in question is a medieval tapestry or Duchamp\'s Fountain
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