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Detroit Rock City: The Uncensored History of Rock \'n\' Roll in America\'s Loudest City, Paperback/Steve Miller - Da Capo Press


Detroit Rock City: The Uncensored History of Rock \'n\' Roll in America\'s Loudest City, Paperback/Steve Miller
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(14-09-2024)
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Description Detroit Rock City is an oral History of Detroit and its music told by the people who were on the stage, in the clubs, the practice rooms, studios, and in the audience, blasting the music out and soaking it up, in every scene from 1967 to today.
He is co-editor of Commando: The Johnny Ramone Autobiography and editor of Touch and Go: The Complete Hardcore Punk Zine \'79-\'83 ..
About the author Steve Miller is a journalist and the author of several books including the Edgar-nominated true crime Girl, Wanted: The Chase for Sarah Pender .
From those behind the scenes cats who promoted, cajoled, lost their shirts, and popped the platters to the punters who drove from everywhere, this is the book that gives life to Detroit\'s legend of loud.
Detroit Rock City brings these worlds to life all from the guys and dolls who picked up a Strat and jammed it into our collective craniums.
It moves on to the Michigan Palace, Bookies Club 870, City Club, Gold Dollar, and Magic Stick - all magical venues in America\'s top Rock city.
Detroit Rock City is the story that has never before been sprung, a frenzied and schooled account of both past and present, calling in the halcyon days of the Grande Ballroom and the Eastown Theater, where national acts who came thru were made to stand and deliver in the face of the always hard hitting local support acts.
From fabled axe men like Ted Nugent, Dick Wagner, and James Williamson jump to Jack White, to pop flashes Suzi Quatro and Andrew W.
K., to proto punkers Brother Wayne Kramer and Iggy Pop, Detroit slices the rest of the land with way more than its share of the Rock Pie.
Description Detroit Rock City is an oral History of Detroit and its music told by the people who were on the stage, in the clubs, the practice rooms, studios, and in the audience, blasting the music out and soaking it up, in every scene from 1967 to today


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