Fear Eats the Soul (Angst Essen Seele Auf) | Laura Cottingham

Descriere YEO:

Fear Eats the Soul (Angst - Disponibil la carturesti.ro

Pe YEO găsești Fear Eats the Soul (Angst de la British Film Institute, în categoria Carte straina.

Indiferent de nevoile tale, Fear Eats the Soul (Angst Essen Seele Auf) | Laura Cottingham din categoria Carte straina îți poate aduce un echilibru perfect între calitate și preț, cu avantaje practice și moderne.

Caracteristici și Avantaje ale produsului Fear Eats the Soul (Angst

• Departament: gaming-carti-birotica
• Ideal pentru pasionații de jocuri, birotică și distracție online.

Preț: 81 Lei

Caracteristicile produsului Fear Eats the Soul (Angst

• Brand: British Film Institute
• Categoria: Carte straina
• Magazin: carturesti.ro
• Ultima actualizare: 19-12-2024 01:40:52

Comandă Fear Eats the Soul (Angst Online, Simplu și Rapid

Prin intermediul platformei YEO, poți comanda Fear Eats the Soul (Angst de la carturesti.ro rapid și în siguranță. Bucură-te de o experiență de cumpărături online optimizată și descoperă cele mai bune oferte actualizate constant.

Descriere magazin:
In Rainer Werner Fassbinder\'s Fear Eats the Soul (Angst Essen Seele Auf, 1974) Emma (Brigitte Mira), a working-class widow and former member of the Nazi party, marries Ali (El Hedi ben Salem), a much younger Moroccan migrant worker. Set in Munich during the 1970s, the film melds the conventions of melodrama with a radical sensibility to present a portrait of racism and everyday hypocrisy in post-war Germany.It is a film about the way conventional society detests anything and anybody unfamiliar - but also a film about the hopes and limits of love. Intricately directed, beautifully performed, and designed to show Munich life in all its shabby kitschiness, Fear Eats the Soul may be Fassbinder\'s finest film.Laura Cottingham celebrates Fassbinder\'s achievement, placing Fear Eats the Soul in relation to his extraordinarily prolific career in theatre, film and television. Her analysis pulls back the thin curtain that separated his work from his tumultuous life. She also explores the director\'s debt to the lush Hollywood melodramas made by fellow German Douglas Sirk, especially All That Heaven Allows (1955). In a detailed scene-by-scene analysis, Cottingham shows how Fassbinder managed to combine beauty and tenderness with fierce political critique.