Harraga On the Road, Burning Borders
Detalii Harraga On the Road, Burning
Vânzător
anticexlibris.ro
Pret
49.99 Lei
49.99 Lei
99.98 Lei
Categorie (vânzător)
Arte Frumoase și Decorative > Fotografie
Marca
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Harraga is the term that illegally travelling, Arabic-speaking migrants use to define themselves. Here, Giulio Piscitelli\'s photographs, and the texts that accompany them, document the various stages followed by the people who leave the Middle East or Northern Africa to reach the coasts of Italy, Calais or Bulgaria via Spain, Greece or the Balkans. After the Arab Spring in early 2011, Giulio Piscitelli went to Tunisia to photograph the refugee camp of Choucha. There he met a smuggler and decided to join Tunisian migrants as they took to sea in search of a decent life. His images document the long waits before departure (spent in apartments managed by local mafia gangs who profit from the smuggling of migrants), the boat ride, the arrival in Lampedusa. An arrival, though, that does not signal the end of the journey. This reportage is the first to document what awaits the migrants on their arrival: the CIE (Identification and Expulsion Centres), the exploitation of workers in Rosarno, the Castelvolturno fields
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Caracteristici și Avantaje ale produsului Harraga On the Road, Burning
- Departament: tv-audio-video-foto
- Îți aduce cele mai noi tehnologii în domeniul foto-video și audio.
Preț: 49.99 Lei
Caracteristicile produsului Harraga On the Road, Burning
- Brand:
- Categoria: Arte Frumoase și Decorative > Fotografie
- Magazin: anticexlibris.ro
- Ultima actualizare: 28-10-2025 01:22:05
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Descriere magazin:
Harraga is the term that illegally travelling, Arabic-speaking migrants use to define themselves. Here, Giulio Piscitelli\'s photographs, and the texts that accompany them, document the various stages followed by the people who leave the Middle East or Northern Africa to reach the coasts of Italy, Calais or Bulgaria via Spain, Greece or the Balkans. After the Arab Spring in early 2011, Giulio Piscitelli went to Tunisia to photograph the refugee camp of Choucha. There he met a smuggler and decided to join Tunisian migrants as they took to sea in search of a decent life. His images document the long waits before departure (spent in apartments managed by local mafia gangs who profit from the smuggling of migrants), the boat ride, the arrival in Lampedusa. An arrival, though, that does not signal the end of the journey. This reportage is the first to document what awaits the migrants on their arrival: the CIE (Identification and Expulsion Centres), the exploitation of workers in Rosarno, the Castelvolturno fields
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