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This book explores the question of realism in Motion pictures.
Developed from careful analysis of Andr Bazin, Stanley Cavell, and Giles Deleuze\'.
Ideologies of the Real in Title Sequences, Motion Graphics and Cinema fills a critical and theoretical void in the existing literature on Motion graphics.
Specifically, it explores how understanding the role of realism in the history of Title Sequences in film can illuminate discussions raised by the advent of digital cinema.
This book explores the question of realism in Motion pictures
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