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This book demonstrates that by the 1850s the historical paintings no longer excited the French public.
In a group of experimental paintings in the late 1850s, he devised a quintessentially modern mode of historical representation..
This provocative study reveals Gerome, typically dismissed as a conservative painter, as a pioneering innovator who responded swiftly to this Crisis in art.
This book demonstrates that by the 1850s the historical paintings no longer excited the French public
Uneori, aceste descrieri pot contine inadvertente. De asemenea, imaginea este informativa si poate contine accesorii neincluse in pachetele standard.
