In Jesus and John Wayne, a seventy-five-year history of American evangelicalism, Kristin Kobes Du Mez demolishes the myth that White Evangelicals held their noses in voting for Donald Trump.
In Jesus and John Wayne, a seventy-five-year history of American evangelicalism, Kristin Kobes Du Mez demolishes the myth that White Evangelicals held.
As Du Mez observes, the beliefs at the heart of White evangelicalism today preceded Trump, and will outlast him.
Revealing the role of popular culture in evangelicalism, Du Mez shows how Evangelicals have worked for decades to replace the Jesus of the Gospels with an idol of rugged masculinity and Christian nationalism in the mold of Ronald Reagan, Mel Gibson, and above all, John Wayne.
In Jesus and John Wayne, a seventy-five-year history of American evangelicalism, Kristin Kobes Du Mez demolishes the myth that White Evangelicals held their noses in voting for Donald Trump.
As Du Mez observes, the beliefs at the heart of White evangelicalism today preceded Trump, and will outlast him.
Revealing the role of popular culture in evangelicalism, Du Mez shows how Evangelicals have worked for decades to replace the Jesus of the Gospels with an idol of rugged masculinity and Christian nationalism in the mold of Ronald Reagan, Mel Gibson, and above all, John Wayne.
In Jesus and John Wayne, a seventy-five-year history of American evangelicalism, Kristin Kobes Du Mez demolishes the myth that White Evangelicals held their noses in voting for Donald Trump.
As Du Mez observes, the beliefs at the heart of White evangelicalism today preceded Trump, and will outlast him.
Revealing the role of popular culture in evangelicalism, Du Mez shows how Evangelicals have worked for decades to replace the Jesus of the Gospels with an idol of rugged masculinity and Christian nationalism in the mold of Ronald Reagan, Mel Gibson, and above all, John Wayne.
In Jesus and John Wayne, a seventy-five-year history of American evangelicalism, Kristin Kobes Du Mez demolishes the myth that White Evangelicals held their noses in voting for Donald Trump.
As Du Mez observes, the beliefs at the heart of White evangelicalism today preceded Trump, and will outlast him.
Revealing the role of popular culture in evangelicalism, Du Mez shows how Evangelicals have worked for decades to replace the Jesus of the Gospels with an idol of rugged masculinity and Christian nationalism in the mold of Ronald Reagan, Mel Gibson, and above all, John Wayne.
In Jesus and John Wayne, a seventy-five-year history of American evangelicalism, Kristin Kobes Du Mez demolishes the myth that White Evangelicals held their noses in voting for Donald Trump
