Joan Mitchell: I carry my landscapes around with me - Joan Mitchell

Descriere YEO:

Joan Mitchell: I carry my - Disponibil la libris.ro

Pe YEO găsești Joan Mitchell: I carry my de la Joan Mitchell, în categoria Art.

Indiferent de nevoile tale, Joan Mitchell: I carry my landscapes around with me - Joan Mitchell din categoria Art îți poate aduce un echilibru perfect între calitate și preț, cu avantaje practice și moderne.

Preț: 272 Lei

Caracteristicile produsului Joan Mitchell: I carry my

• Brand: Joan Mitchell
• Categoria: Art
• Magazin: libris.ro
• Ultima actualizare: 15-12-2024 01:42:32

Comandă Joan Mitchell: I carry my Online, Simplu și Rapid

Prin intermediul platformei YEO, poți comanda Joan Mitchell: I carry my de la libris.ro rapid și în siguranță. Bucură-te de o experiență de cumpărături online optimizată și descoperă cele mai bune oferte actualizate constant.

Descriere magazin:
I carry my landscapes around with me focuses on American abstract artist Joan Mitchell\'s large-scale multipanel works from the 1960s through the 1990s. Mitchell\'s exploration of the possibilities afforded by combining two to five large canvases allowed her to simultaneously create continuity and rupture, while opening up a panoramic expanse referencing landscapes or the memory of landscapes. Mitchell established a singular approach to abstraction over the course of her career. Her inventive reinterpretation of the traditional figure-ground relationship and synesthetic use of color set her apart from her peers, resulting in intuitively constructed and emotionally charged compositions that alternately evoke individuals, observations, places, and points in time. Art critic John Yau lauded her paintings as one of the towering achievements of the postwar period. Published on the occasion of the eponymous exhibition at David Zwirner New York in 2019, this book offers a unique opportunity to explore the range of scale and formal experimentation of this innovative area of Mitchell\'s extensive body of work. It not only features reproductions of each painting in this selection as a whole, but also numerous details that allow an intimate understanding of the surface texture and brushwork. In the complementing essays, Suzanne Hudson examines boundaries, borders, and edges in Mitchell\'s multipanel paintings, beginning with her first work of this kind, The Bridge (1956), considering them as both physical and conceptual objects; Robert Slifkin discusses the dynamics of repetition and energy in the artist\'s paintings, in relation to works by Monet and Willem de Kooning, among others.