Kifwebe: A Century of Songye and Luba Masks, Hardcover/Francois Neyt

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• Brand: 5 Continents Editions
• Categoria: Foreign Books
• Magazin: elefant.ro
• Ultima actualizare: 08-12-2024 01:33:56

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Description Offers a fresh perspective on the Songye and Luba through the study of the Woods Davy Collection Kifwebe masks are ceremonial objects used by the Songye and Luba societies (Democratic Republic of Congo), where they are worn with costumes consisting of a long robe and a long beard made of plant fibres. As in other central African cultures, the same mask can be used in either magical and religious or festive ceremonies. In order to understand Kifwebe masks, it is essential to consider them within the cosmogony of the python rainbow, metalworking in the forge, and other plant and animal signs. Among the Songye, benevolent female masks reveal what is hidden and balance white and red energy associated with two subsequent initiations, the bukishi. Aggressive male masks were originally involved in social control and had a kind of policing role, carried out in accordance with the instructions of village elders. These two male and female forces acted in a balanced way to reinforce harmony within the village. Among the Luba, the masked figures are also benevolent and appear at the new moon, their role being to enhance fertility. Although the male and female masks fulfil functions that do not wholly overlap, they do have features in common: a frontal crest, round and excessively protruding eyes, flaring nostrils, a cube-shaped mouth and lips, stripes, and colors. Art historians and anthropologists have taken increasing interest in Kifwebe masks in recent years. About the Author Fran ois Neyt is professor emeritus at the Catholic University of Louvain and has also taught at the Official University of the Congo. As a Benedictine monk, he has been chairman of the Inter-monastery Alliance, covering over 450 communities throughout the world, and is also member emeritus of the Royal Academy for Overseas Sciences of Belgium. Fran ois Neyt has published several works on African art, including La Grande Statuaire hemba du Za re, 1977; Arts traditionnels et histoire au Za re, 1981; Luba. Aux sources du Za re, 1993; La Redoutable Statuaire songye d\'Afrique centrale, 2009; Fleuve Congo, 2010; F tiches et objets ancestraux, 2013; and Tr sors de C te d\'Ivoire, 2014. He has also organized several exhibitions: at the Mus e Dapper, in Paris, 1993; at the Etnografisch Museum, in Antwerp, 1994; and at S o Paulo, in Brazil, 2000. The Congo River exhibition he organized at the Mus e du Quai-Branly Jacques Chirac, Paris, in 2010 subsequently travelled to Shanghai, Seoul, Mexico, and Moscow (Pushkin Museum). Allen F. Roberts is Distinguished Professor of World Arts and Cultures at the University of California, Los Angeles. His studies of sub-Saharan African humanities include A Dance of Assassins: Performing Early Colonial Hegemony in the Congo (Indiana University Press, 2013) and, with his late wife Mary Nooter Roberts, Visions of Africa: Luba (5 Continents, 2007). Kevin D. Dumouchelle earned a PhD in Art History and Archaeology from Columbia University. His doctoral research in Ghana examined architectural modernity in Asante. In 2016, he joined the National Museum of African Art. He was the lead curator for Visionary: Viewpoints on Africa\'s Arts (2017). He has additionally served as coordinating curator for World on the Horizon: Swahili Arts Across the Indian Ocean (2018) and Good as Gold: Fashioning Senegalese Women (2018). His latest exhibition, Heroes: Principles of African Greatness, opens October 2, 2019. Previously, Dumouchelle served a decade at the Brooklyn Museum as the curator in charge of the arts of both Africa and the Pacific Islands. At Brooklyn, he conceived two award-winning re-installations of the African collection: African Innovations (2011) and Double Take: African Innovations (2014). He has written books and articles on a range of topics and curated exhibitions on both contemporary and historical African art, including Power Incarnate: Allan Stone\'s Collection of Sculpture from the Congo (2011) at the Bruce Museum and the Brooklyn Museum presentations of Gravity and Grace: Monumental Works by El Anatsui (2013) and Dis