Presents a social analysis of new Music dissemination at the Warsaw Autumn International Festival of Contemporary Music, one of the most important venues for East-West cultural contact during the Cold War.
The author examines the festival\'s institutional organization, negotiations among its various actors, and its reception in Poland..
Presents a social analysis of new Music dissemination at the Warsaw Autumn International Festival of Contemporary Music, one of the most important venues for East-West cultural contact during the Cold War