Many of the transcriptions and arrangements of masterpieces of the past done by great composers of the early twentieth century, like Monteverdi’s Orfeo revised and corrected by Ottorino Respighi (1934) and Mozart’s IDOMENEO freely and generously revised by.
Many of the transcriptions and arrangements of masterpieces of the past done by great composers of the early twentieth century, like Monteverdi’s Orfeo revised and corrected by Ottorino Respighi (1934) and Mozart’s IDOMENEO freely and generously revised by