In this collection of eighteen stories, Hugh Fulham-McQuillan writes with the playfulness and intelligence of such masters of the short form as Borges, Poe, and Barthelme.
One narrator traces the M bius strip that encloses the assassination of Julius Caesar, Shakespeare\'s play Julius Caesar, and the murder of Lincoln by a famous actor in a.
He examines the aesthetics of murder, the reigning fascination of the macabre in popular culture, and the tenuous line that separates art from life.
In this collection of eighteen stories, Hugh Fulham-McQuillan writes with the playfulness and intelligence of such masters of the short form as Borges, Poe, and Barthelme