Lacoue-Labarthe\'s Poetry as Experience addresses the question of a lyric language that would not be the expression of subjectivity.
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In his analysis of the historical position of Paul Celan\'s poetry, Lacoue-Labarthe defines the subject as the principle that founds, organizes, and secures both cognition and action--a principle that turned, most violently during the twentieth century, into a figure not only of domination but of the extermination of everything other than itself.
Lacoue-Labarthe\'s Poetry as Experience addresses the question of a lyric language that would not be the expression of subjectivity