Bringing together studies in theater history, print culture, and literature, this book offers a new consideration of Romantic-period writing in Britain.
Kean\'s ongoing presence as a figure in the theatri.
Recovering a wide range of Theatrical criticism from newspapers and periodicals, some of it overlooked since its original publication in Regency London, Jonathan Mulrooney explores new contexts for the work of the actor Edmund Kean, essayist William Hazlitt, and poet John Keats.
Bringing together studies in theater history, print culture, and literature, this book offers a new consideration of Romantic-period writing in Britain