Part comedy of manners, part psychological mystery .
Second Person Singular is a deliciously complex psychological mystery and a searing dissection of the individuals that comprise a divided society..
He communicates, with enormous emotional power and a keen sense of the absurd, the particular alienation and the psychic costs of people struggling to straddle two worlds.
A Palestinian who writes in Hebrew, Sayed Kashua defies classification and breaks through cultural barriers.
In the process of dredging up old ghosts and secrets, the lawyer tears the string that holds all of their lives together.
He first considers murder, revenge, then divorce, but when the initial sting of humiliation and hurt dissipates, he decides to hunt for the book\'s previous owner--a man named Yonatan, a man who is not easy to track down, whose identity is more complex than imagined, and whose life is more closely aligned with his own than expected.
Call me tomorrow? Consumed with suspicion and jealousy, the lawyer slips into a blind rage over the presumed betrayal.
It was wonderful.
I wanted to thank you for last night.
I hope everything\'s all right.
I waited for you, but you didn\'t come.
To his surprise, inside he finds a small white note, a love letter, in Arabic, in her handwriting.
On one fateful evening, he decides to buy a used copy of Tolstoy\'s The Kreutzer Sonata , a book his wife once recommended.
In an effort to uphold his image as a sophisticated Israeli Arab, he often makes weekly visits to a local bookstore to pick up popular novels.
The lawyer has a thriving practice in the Jewish part of Jerusalem, a large house, a Mercedes, speaks both Arabic and Hebrew, and is in love with his wife and two young children.
Second Person Singular follows two men, a successful Arab criminal attorney and a social worker-turned-artist, whose lives intersect under the most curious of circumstances. -- Boston Globe From one of the most important contemporary voices to emerge from the Middle East comes a gripping tale of love and betrayal, honesty and artifice, which asks whether it is possible to truly reinvent ourselves, to shed our old skin and start anew.
Issues of nationalism, religion, and passing collide with quickly changing social and sexual mores. . .
Part comedy of manners, part psychological mystery
