Explores and develops a theory of Swedish Marxist Noir.
In order to expose the dialectics of Crime fiction, going from then (the American 1930s) to now (the Swedish post-1990s), we must explore, through a Marxist reading of several central works of Crime fiction, the Marxist connection between the writings of Raymond Chandler and the Swedish Wave of Crime fiction since the 1960s..
Explores and develops a theory of Swedish Marxist Noir