Why a recording label would go through the trouble of restoring a historical recording, particularly one of concertos, and then provide no information on the soloist, conductors, or orchestra is truly baffling.
Such is the case with this album on the Archipel.
Why a recording label would go through the trouble of restoring a historical recording, particularly one of concertos, and then provide no information on the soloist, conductors, or orchestra is truly baffling