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In the first two volumes of Technics and Time , Bernard Stiegler worked carefully through Heidegger\'s and Husserl\'s relationship to Technics and technology.
Stiegler relates this problematic to the "Cinematic nature" of time, which precedes cinema itself but reaches an apotheosis in i.
Here, in volume three, he turns his attention to the prolematic relationship to Technics he finds in Kant\'s Critique of Pure Reason , particularly in the two versions of the Transcendental Deduction.
In the first two volumes of Technics and Time , Bernard Stiegler worked carefully through Heidegger\'s and Husserl\'s relationship to Technics and technology
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