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Music, we are often told, is a language.
The Voice we hear is not that of the composer himself, but of a persona--a musical projection of his consciousness that experiences and commu.
In so doing, it puts forward a dramatistic theory of musical expression, based on the view that every composition is a symbolic utterance involving a fundamental act of impersonation.
But if music is a language, then who is speaking? The Composer\'s Voice tries to answer this obvious but infrequently raised question.
Music, we are often told, is a language
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