Description In The Enemy in Italian Renaissance Epic, Andrea Moudarres examines influential works from the literary canon of the Italian Renaissance, arguing that Hostility consistently arises from within political or religious entities.
Distributed for the University of Delaware Press About the Author Andrea Moudarres is Assistant Professor of Italian at UCLA and coeditor, with Christiana Purdy Moudarres, of New Worlds and the Italian Renaissance: Contributions to the History of European Intellectual Culture..
Moudarres reads these works in the context of historical and political patterns, demonstrating that there was little distinction between public and private spheres in Renaissance Italy and, thus, little differentiation between personal and political enemies.
In Dante\'s Divina Commedia, Luigi Pulci\'s Morgante, Ludovico Ariosto\'s Orlando Furioso, and Torquato Tasso\'s Gerusalemme Liberata, enmity is portrayed as internal, taking the form of tyranny, betrayal, and civil discord.
Description In The Enemy in Italian Renaissance Epic, Andrea Moudarres examines influential works from the literary canon of the Italian Renaissance, arguing that Hostility consistently arises from within political or religious entities
