An introductory guide to the Mbira: the spiritual traditions, historical perspectives, and practical applications of a sacred Zimbabwean instrument.
She is the author of Haumāna Hula Handbook for Students of Hawaiian Dance ..
She is also the director of the African American Mbira Project, an initiative to introduce, support, and perpetuate the music of the mbira of Zimbabwe within the African American community.
She is the former President of the Board of Directors of World Arts West, is currently co-artistic director of the San Francisco Ethnic Dance Festival, and serves as vice president of the nonprofit organization MBIRA.
She has studied Shona music for two decades both locally and in Zimbabwe, and her work with the mbira has been recognized by the City of Oakland\'s Cultural Funding Program and the Alliance for California Traditional Arts.
Uchiyama\'s unique perspective on the mbira is informed by her status as an initiated priestess (Iyanifa) of Ifa, a spiritual Tradition of West Africa.
She is the founder and artistic director of the Māhea Uchiyama Center for International Dance (MUCID) and director of the Polynesian dance company Hālau KaUaTuahine, with whom she has toured internationally.
Supplemented with 32 images and glossary of terms, this book helps readers understand: - The mbira\'s special roles within the lamellaphone instrument family - Relevant Zimbabwean and African cultural, historical, and spiritual perspectives - Ways the mbira can become a connection point for people severed from their African roots - How appropriation and commodification have contributed to the mbira\'s popularization around the world - Codes of conduct for respectfully playing the mbira and for taking it up as a practice About author(s): MĀHEALANI Uchiyama is an award-winning dancer, musician, composer, choreographer, recording artist, teacher, and author.
In traditional Zimbabwean culture, the mbira is a spiritual practice that bridges worlds: for example, the realm of the ancestors and of healing energies with the worlds of the living.
It can be played solo or accompanied by singing, clapping, dancing, percussion, or other mbira.
The mbira is made of a wooden soundboard and hammered metal keys.
In this accessible overview steeped in history and tradition, teacher and student Māhealani Uchiyama offers insights for learning about the mbira and actively engaging with it in an informed and respectful way.
An introductory guide to the Mbira: the spiritual traditions, historical perspectives, and practical applications of a sacred Zimbabwean instrument
