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In The Park, his second book of poetry, John Freeman uses a Park as a petri dish, turning a deep gaze on all that pass through it.
Pulling from both history and his own meditations in the Luxembourg Gardens in Pa.
In language both precise and restrained, Freeman explores the inherent contradictions that arise from a place whose purpose is derived purely from what we bring to it--a Park is both natural and constructed, exclusionary and open, unfeeling and burdened with sentimentality.
In The Park, his second book of poetry, John Freeman uses a Park as a petri dish, turning a deep gaze on all that pass through it
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