The Race of Sound: Listening, Timbre, and Vocality in African American Music - Nina Sun Eidsheim

Descriere YEO:

The Race of Sound: Listening, - Disponibil la libris.ro

Pe YEO găsești The Race of Sound: Listening, de la Nina Sun Eidsheim, în categoria Music.

Indiferent de nevoile tale, The Race of Sound: Listening, Timbre, and Vocality in African American Music - Nina Sun Eidsheim din categoria Music îți poate aduce un echilibru perfect între calitate și preț, cu avantaje practice și moderne.

Preț: 233.95 Lei

Caracteristicile produsului The Race of Sound: Listening,

• Brand: Nina Sun Eidsheim
• Categoria: Music
• Magazin: libris.ro
• Ultima actualizare: 23-10-2025 02:02:14

Comandă The Race of Sound: Listening, Online, Simplu și Rapid

Prin intermediul platformei YEO, poți comanda The Race of Sound: Listening, de la libris.ro rapid și în siguranță. Bucură-te de o experiență de cumpărături online optimizată și descoperă cele mai bune oferte actualizate constant.

Descriere magazin:
In The Race of Sound Nina Sun Eidsheim traces the ways in which sonic attributes that might seem natural, such as the voice and its qualities, are socially produced. Eidsheim illustrates how listeners measure race through sound and locate racial subjectivities in vocal timbre-the color or tone of a voice. Eidsheim examines singers Marian Anderson, Billie Holiday, and Jimmy Scott as well as the vocal synthesis technology Vocaloid to show how listeners carry a series of assumptions about the nature of the voice and to whom it belongs. Outlining how the voice is linked to ideas of racial essentialism and authenticity, Eidsheim untangles the relationship between race, gender, vocal technique, and timbre while addressing an undertheorized space of racial and ethnic performance. In so doing, she advances our knowledge of the cultural-historical formation of the timbral politics of difference and the ways that comprehending voice remains central to understanding human experience, all the while advocating for a form of listening that would allow us to hear singers in a self-reflexive, denaturalized way.