\'A smart, accessible and brilliantly structured work that encourages readers to go beyond the grand architecture of cultural institutions and see the problematic colonial histories behind them.\' - Sumaya KassimShould museums be made to give back their marbles? Is it even possible to \'decolonize\' our galleries? Must Rhodes fall?How to deal with the colonial history of art in museums and monuments in the public realm is a thorny issue that we are only just beginning to address.
Each section tackles the fascinating, enlightening and often shocking stories of a selection of art pieces, including the propaganda painting the East India Company used to justify its rule in India; the tattooed Maori skulls collected as \'art objects\' by Europeans; and works by contemporary artists who are taking on colonial history in their work and activism today..
Alice Procter, creator of the Uncomfortable Art Tours, provides a manual for deconstructing everything you thought you knew about art history and tells the stories that have been left out of the canon.
The book is divided into four chronological sections, named after four different kinds of art space: The Palace, The Classroom, The Memorial and The Playground. \'A smart, accessible and brilliantly structured work that encourages readers to go beyond the grand architecture of cultural institutions and see the problematic colonial histories behind them.\' - Sumaya KassimShould museums be made to give back their marbles? Is it even possible to \'decolonize\' our galleries? Must Rhodes fall?How to deal with the colonial history of art in museums and monuments in the public realm is a thorny issue that we are only just beginning to address
