Provides fresh perspectives on the early modern Public as an audience trained by theatre.
Illustrations: Worked examples or Exercises; 11 Halftones, black and white.
Focusing on the period 1642-1660, it offers a new take on the Public of the English Revolution and fills in important blanks in the history of the English stage for Theatre and literary scholars and historians.
Provides fresh perspectives on the early modern Public as an audience trained by theatre