In Yugoslavia\'s Third Way architecture, Brutalism meets the fantastical Squeezed between the two rival Cold War blocs, Yugoslav Architecture consistently adhered to a modernist trajectory.
Featuring new scholarship and previously unpublished archival materials, this richly illustrated publication sheds light on key ideological concepts of Yugoslav architecture, urbanism and society by delving into the exceptional projects and key figures of the era, among them Bogdan Bogdanovic, Zoran Bojovic, Drago Galic, Janko Konstantinov, Georgi Konstantinovski, Niko Kralj, Boris Magas, Juraj Neidhardt, Joze Plecnik, Svetlana Kana Radevic, Edvard Ravnikar, Vjenceslav Richter, Milica Steric, Ivan Straus and Zlatko Ugljen..
Published in conjunction with a major exhibition on the architectural production of Yugoslavia between 1948 and 1980, this is the first publication to showcase an understudied but important body of modernist architecture.
This remarkable body of work has sparked recurrent international interest, yet a rigorous interpretative study never materialized in the United States until now.
By merging a variety of local traditions and contemporary international influences in the context of a unique Yugoslav brand of socialism, often described as the Third Way, local architects produced a veritable parallel universe of modern Architecture during the 45 years of the country\'s existence.
As a founding nation of the Non-Aligned Movement, Yugoslavia became a major exporter of modernist Architecture to Africa and the Middle East in a postcolonial world.
In Yugoslavia\'s Third Way architecture, Brutalism meets the fantastical Squeezed between the two rival Cold War blocs, Yugoslav Architecture consistently adhered to a modernist trajectory
