Marie-Louise von Franz believed Fairytales to be the purest and simplest expressions of the collective unconscious.
An African Fairytale: The Magician of.
A Norwegian Fairytale: Kari, the Girl with the Wooden Frock Chapter 13.
A Turkestan Fairytale: The Magic Horse Chapter 12.
A Fairytale from Northern Germany: Oll Rinkrank Chapter 11.
The Woman, The Shadow, and the Animus in Fairytales Part 2: Animus and Anima in Fairytales Chapter 10.
The Challenge of the Anima Chapter 9.
A Man\'s Shadow Chapter 8.
The Three Feathers Completed Chapter 7.
The Three Feathers Continued Chapter 6.
A Tale Interpreted: The Three Feathers Chapter 5.
A Method of Psychological Interpretation Chapter 4.
Fairytales, Myths and other Archetypal Stories Chapter 3.
Some Theories of Fairytales Chapter 2.
Table of Contents Part 1: The Interpretation of Fairytales Chapter 1.
This second section of Volume 8 provides an insightful explanation of a woman\'s encounter with her Animus and a man\'s encounter with his anima.
These are supra-personal elements of psychic life capable of breaking beyond the tendency of consciousness to become one-sided.
She further warns of the inflation resulting from possession by them and points out that the Animus loves to create an atmosphere of mist in which nobody can find orientation.
Individuation requires engagement with these contra-sexual archetypes, but von Franz observes that Anima and Animus are not always happy to have this relationship-they lose part of their power when they are made conscious.
The Anima and the Animus deliver to consciousness the life-affirming fruit.
This Volume contains new and updated translations of The Interpretation of Fairytales along with Anima and Animus in Fairytales and combines them into a single volume, clarifying the Jungian approach to interpreting Fairytales and offering a deep dive into Anima and animus.
Some Fairytales emphasize the beginning phases of this experience by dwelling on the shadow, others draw attention to the Anima and animus, while still others hint at the unobtainable treasure.
In Volume 8, von Franz establishes that there is only one psychic fact to which the fairytale addresses itself, namely, the SELF.
The innumerable variations within the same fairytale told in different cultures are like a musical theme crisscrossing humanity.
Too often the interpreter regresses to a personalized approach, however, heroes and heroines are abstractions that embody collective archetypes.
Marie-Louise von Franz believed Fairytales to be the purest and simplest expressions of the collective unconscious
