Own it, snowflakes: you\'ve lost everything you claim to hold dear.
White is Bret Easton Ellis\'s first work of nonfiction. humming with paranoia."--Anna Leszkiewicz, The Guardian. . .
He\'s hard-wired to break furniture."--Karen Heller, The Washington Post"Sweating with rage .
In a young century marked by hysterical correctness and obsessive fervency on both sides of an aisle that\'s taken on the scale of the Grand Canyon, White is a clarion call for freedom of speech and artistic freedom."The central tension in Ellis\'s art--or his life, for that matter--is that while [his] aesthetic is the cool reserve of his native California, detachment over ideology, he can\'t stop generating heat....
Already the bad boy of American literature, from Less Than Zero to American Psycho, Ellis has also earned the wrath of right-thinking people everywhere with his provocations on social media, and here he escalates his admonishment of received truths as expressed by today\'s version of "the left." Eschewing convention, he embraces views that will make many in literary and media communities cringe, as he takes aim at the relentless anti-Trump fixation, coastal elites, corporate censorship, Hollywood, identity politics, Generation Wuss, "woke" cultural watchdogs, the obfuscation of ideals once both cherished and clear, and the fugue state of American democracy.
Own it, snowflakes: you\'ve lost everything you claim to hold dear.
White is Bret Easton Ellis\'s first work of nonfiction
