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The book examines 100 works of Modern art that Have attracted critical hostility – from Cy Twombly’s scribbled Olympia (1957), Jean-Michel Basquiat’s crude but spontaneous LNAPRK (1982), to the apparently careless mess of Tracey Emin’s My Bed (.
The book examines 100 works of Modern art that Have attracted critical hostility – from Cy Twombly’s scribbled Olympia (1957), Jean-Michel Basquiat’s crude but spontaneous LNAPRK (1982), to the apparently careless mess of Tracey Emin’s My Bed (
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