In this compelling exploration of language, archaeology, and early medieval literature, Max Dashu illuminates hidden cultural heritages.
Gathering together forgotten strands from heathen European heritages, Witches and Pagans reweaves the ripped webs of women\'s culture..
Stories of ancestral women--the Cailleach and the Scandinavian d sir --were handed down over countless generations.
Artists depicted Mother Earth giving her breast to serpents, animals, and children.
Many aspects of ethnic spiritual culture survived the state conversions to Christianity: ancestor veneration, crystal balls, amulets--and witches\' wands.
This indicates that people still regarded Witches as spiritual teachers, and that they performed ceremonies of reverence to Earth.
A thousand years ago, an Old English scribe condemned people who bring their offerings to earth-fast stone and also to trees and to wellsprings, swa wiccan taecad --as the Witches teach.
But witch persecution was already underway, as a chapter on the sexual politics of early medieval witch burnings documents.
This was the foundational witch-legend that demonologists seized upon in later centuries.
Churchmen also railed against the Women Who Go by Night with Diana or Holda or Herodias, in shamanic flight on spirit animals.
Women set out offering tables for the Three Sisters or the good women, chanted over herbs, and healed children by passing them through \'elf-bores.\' Spinning and weaving were ceremonial acts with divinatory or protective power, as bishops\' scoldings reveal.
Witches and Pagans looks at women\'s sacraments in early medieval Europe, a subject that has been buried deep for centuries.
Veneration of the Fates persisted under many titles, as the Norns, sudice , fatas and f es , Wyrd or the Three Weird Sisters.
They include Berthe P dauque, also known as the Swan-footed Queen, whose spinning began at the proverbial beginning of time.
Archaeological finds of their ritual staffs show that many symbolize the distaff, a spinner\'s wand that connects with wider European themes of goddesses, fates, witches, and female power.
She shows that the old ethnic names for witch signify \'wisewoman, \' \'prophetess, \' \'diviner, \' \'chanter, \' \'herbalist, \' and \'healer.\' She fleshes out the oracular ceremonies of the Norse v lur (staff-women), their incantations and sitting-out on the land seeking vision.
In this compelling exploration of language, archaeology, and early medieval literature, Max Dashu illuminates hidden cultural heritages
