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In Fidel Between the Lines Laura-Zo Humphreys traces the changing dynamics of criticism and censorship in Late Socialist Cuba through a focus on cinema.
Along with this shift, foreign funding and digital technologies gave filmmakers more freedom to criticize the state than ever before, yet these openings also exacerbated the pol.
Following the collapse of the Soviet Union, the Cuban state strategically relaxed censorship, attempting to contain dissent by giving it an outlet in the arts.
In Fidel Between the Lines Laura-Zo Humphreys traces the changing dynamics of criticism and censorship in Late Socialist Cuba through a focus on cinema
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